Heart Of Darkness And Modest Proposal Essay free essay sample

, Research Paper Colonization in the Theme of A Modest Proposal and Heart of Dark Get downing at the beginning of the 17th century, European states began researching and colonising many different countries of the universe. The last half of the 19th century saw the tallness of European colonial power around the Earth. France, Belgium, Germany, and particularly Great Britain, controlled over half the universe. Along with this accomplishment came a noteworthy sense of pride and confident belief that European civilisation was the best on Earth and that the indigens of the lands Europeans controlled would merely profit from colonial influence. However, non everybody saw colonisation as positive for all those involved. Some of the most noteworthy authors of the clip produced plants knocking the procedure of colonisation. Two of the most important plants in this country are Joseph Conrad? s Heart of Darkness and Jonathan Swift? s A Modest Proposal. Although these pieces of literature both criticize colonisation, they have different subjects. The subject of A Modest Proposal could be described as the negative effects of colonisation on the colonized, while the cardinal thought in Heart of Darkness is the negative effects of colonisation on both the colonized and the colonisers. The differences in these subjects are important to the schemes used by the writers to research the inauspicious effects of colonisation. Swift makes great usage of sarcasm and imagination, to stress the predicament of the Irish. Conrad remarks on the scaring alterations that people involved with colonisation can travel through by researching character development and detailing a narration of subjugation. Swift utilizations irony in A Modest Proposal because it allows him to foreground the emotional withdrawal felt by the colonising British towards the Irish. It is this emotional detached experiencing that lead to the atrociousnesss committed against the Irish citizens. The sarcasm in A Modest Proposal is apparent right in the rubric. There is surely nil modest about the proposal of eating the babies of destitute Irish citizens. The sarcasm accentuates how barbarous and uncompassionate the powerful British Imperialists were, towards the destitute Irish population. The reader must recognize that Swift is runing independently of the storyteller in a covert mode ( Phiddian 607 ) . He develops the character of the suggester to state precisely the antonym of what he feels. While the suggester suggests eating hapless Irish kids is peculiarly proper at gay meetings, peculiarly nuptialss and christenings, this could non be further from the sentiment of Swift. Nor does Swift really believe that this program will increase the attention and tenderness of female parents toward their kids. ( NA 1052 ) Furthermore, the whole subject of cannibalism, is discussed with lingua in cheek and is meant to propose that the British were devouring the Irish. Images of inhuman treatment and immorality put, frontward by the storyteller, weigh to a great extent in the subject of A Modest Proposal. Throughout the booklet, the reader is bombarded with upseting imagination of Irish people and their kids being treated like farm animal raised for ingestion. The storyteller refers to the parents of the kids as barbarians ( NA 1050 ) and breeders ( NA 1051 ) and dikes ( NA 1048 ) . Then he compares the kids to roasting hogs ( NA 1050 ) and continues as if he were composing a cook book. He speaks of how delightful he thinks these babies would be whether stewed, roasted, baked or boiled ( NA 1049 ) or served in a fricassee or a ragout ( NA 1049 ) . He describes how the carcases ( NA 1050 ) of these babes could be nicely seasoned with a small Piper nigrum or salt ( NA 1050 ) and will be in season throughout the twelvemonth ( NA 1050 ) . Flaying the carcase and utilizing the tegument of these babes to do admirable baseball mitts for ladies, and summer boots for all right gentlemen ( NA 1050 ) is another suggestion he puts frontward. He expands beyond merely butchering the babies for nutrient and leather merchandises by proposing the possibility of runing the striplings for athletics. He dismisses this thought because he imagines the flesh of the striplings would be excessively tough for feeding and because runing them would cut down the genteelness stock. He besides has concerns that some scrupulous people might be disposed to animadversion such a pattern ( although so really unjustly ) as a small bordering on inhuman treatment ( NA 1051 ) . All of the ghastly imagination used in A Modest Proposal has earned it the repute of being one of Swift? s most potent onslaughts in his war on a category of civilised people who frequently behave like animate beings ( McMinn 149 ) . Joseph Conrad inside informations a narration of subjugation stressing the atrocious intervention of African indigens during the colonisation of the Congo. The Europeans claimed that they were seeking to educate the indigens, and that each colonised station should be for humanizing, bettering and instructing, ( NA 2228 ) as if colonisation was to the advantage of the indigens. In the same voice, it was said that the indigens were beasts ( NA 2242 ) and barbarians ( NA 2218 ) and that they should all be exterminated ( NA 2242 ) . Heart of Darkness described African inkinesss as being felons ( NA 2216 ) and enemies ( NA 2214 ) and they were treated as such. The indigens were forced to make intense heavy labour for the colonisers. They dug holes, tunneled through mountains, moved dirt from one topographic point to another in baskets balanced on their caputs. When there was no meaningful work needed to be done, the inkinesss were forced to make heavy labour merely for the interest of making heavy labour. They did objectless blasting ( NA 2215 ) and other pointless work in the Whites philanthropic desire of giving the felons something to make ( NA 2216 ) . They were treated like working animate beings. They were forced to transport 60lb tonss 200 stat mis in searing heat with unequal nutriment. A figure of them died on that trip. In the Stationss they worked in concatenation packs where, each had an Fe neckband on his cervix, and all were connected with a concatenation ( NA 2215 ) . They were supervised by other gun exerting indigens who had seemingly joined the colonisers in the subjugation of their people. When the overworked indigens could work no more they would merely creep under a tree in the shadiness and dice. If the inkinesss stopped working, made a error, or were suspected of doing a error, they were beaten viciously. Beatings are really common in Heart of Dark. The European pilgrims are invariably in the ownership of staffs, merely in instance they should hold to train a native. A black adult male was beaten about to decease as the consequence of a difference over two biddies. Then later in the narrative, a black adult male was beaten so severely that after a few yearss he merely wandered off into the wood and died. It becomes progressively clear as the secret plan develops that the colonizing Europeans treated the land and the people they were colonising with no regard at all. Through the presentation of characters and their development through the narrative, Conrad examines the negative effects colonisation can hold on the colonisers. It makes them lazy ; it reveals their failings ; it puffs them up with empty amour propre of being white ; and it fortifies the unbearable lip service with which Europeans in general conceal their selfish purposes ( Watt 37 ) . It causes them to detest and brings out the immorality from within them. The first white adult male that Marlow comes across in the Congo is the companies accountant. His amour propre is apparent, from the manner he keeps himself impeccably groomed, while other human existences around him are populating squalid, intolerable lives and deceasing dismaying deceases. He wore a high starched neckband, white turnups, a light alpaca jacket, white pants, a clear necktie and varnished boots ( NA 2217 ) . Meanwhile, everything else in the station was a clutter ( NA 2217 ) and there were people take a breathing their last breaths merely outside his door. The development of his hatred while in Africa is clear when he tells Marlow that one comes to detest those barbarians detest them to decease ( NA 2218 ) . His evilness is accentuated by the flies that buzzed diabolically ( NA 2217 ) around him, raising up images of Beelzebub, Lord of the Flies. Though his character is a minor one, the accountant gives the readers their first gustatory sensation of the Congo? s detrimental effects on the colonisers. Kurtz and Marlow are kind of mirror images of one another. Marlow is what Kurtz one time was and Kurtz is what Marlow could hold been. Both are affected adversely by their experience in the Congo. The alteration in Marlow is really apparent by the terminal of the narrative. Near the beginning of the narrative, he states that he is appalled by prevarications, that there is a contamination of decease ( NA 2224 ) and a spirit of mortality ( NA 2224 ) in them. He says prevarications are precisely what I hate and detest in the universe # 8211 ; what I want to bury ( NA 2224 ) . Then in the terminal of the narrative, he must do a determination whether to state Kurtz? s married woman a truth that will lay waste to her or a prevarication that will set her at easiness. He lies to her. It may be good purposes that caused him to lie, but he lied all the same. A portion of Marlow died in the Congo and he became what he hates, a prevaricator. Kurtz on the other manus went into the Congo as a extremely respected individual for whom higher-ups had high hopes and large programs. By the terminal of the narrative Kurtz has gone insane. While Marlow peeped over the border, ( NA 2257 ) and drew back [ his ] wavering pes, ( NA 2258 ) Kurtz had made that last pace, he had stepped over the border ( NA 2258 ) . Kurtz was so damaged by his Congo colonisation experience that it killed him before he made it back to civilisation. It is these alterations in the chief characters of the narrative that are most influential in developing, in the reader, a sense of how colonisation effects the coloniser. Colonization is a portion of the subject in both Joseph Conrad? s Heart of Darkness and Jonathan Swift? s A Modest Proposal. While Swift? s work trades chiefly with the negative effects of colonisation on those being colonized, Conrad? s narrative explores the negative experiences of both the colonized and the colonisers. The differences in these subjects are important to the schemes used by the writers to research the negative effects of colonisation. As in much of his literary work, Swift uses a great trade of sarcasm and imagination to drive his point place. Conrad on the other manus, inside informations a narration of subjugation and delves into character development to depict his ideas and experiences with colonisation in Africa. These plants can be viewed as unfavorable judgments of events of the yesteryear, but they should besides be viewed as warnings for the hereafter. Peoples should learn from the yesteryear and non do the same errors twice. Unfortunately it seems as if history repeats itself and human existences make the same mistake over and over once more. McMinn, Joseph. Jonathan Swift: a literary life. New York: St. Martin? s Imperativeness. 1991. Phiddian, Robert. Have you eaten yet? The Reader in A Modest Proposal. SEL: Surveies in English Literature ( Summer 1996 ) : 603-621. Watt, Ian. Ideological Positions: Kurtz and the Fate of Victorian Advancement. Joseph Conrad. Ed. Elaine Jordan. London: Macmillan Press. 1996.